vivian sessoms: blog

I always gaze at other travelers who are packed so efficiently and lightly with such envy. They are usually crisply pressed and well dressed to boot, which makes it even worse. Then there’s the woman in high heels, the light makeup, the freshly coiffed hair and her smart little travel outfit, be it jeans, shorts or what have you, which usually just makes me stop and stare in silent awe and admiration. It reminds me a little of when my grandmother used to talk about how people used to get dressed up to travel. They wore hats and gloves and stockings and matching coats and dresses and shoes and bags. It's all so very MAD MEN.
Of course, no one dresses up that much anymore, but mind you, I’m still on the complete opposite end of the spectrum. I can usually be found wandering around the airport in sweats (that double as pajamas when I’m home, I'm sad to say). Sometimes they might be a snug fit (Juicy’s if they’re clean), but that’s usually about all the sexy I can muster on a flight that’s more than 2 hours long and those will usually be worn with Uggs (as in fucking ugly boots).
Needless to say I get a lot of suspect looks from airport security..
I have a friend that insists when I come to see him anywhere, I must not where those things on my feet! Of course he is gay but I’m pretty sure he’s only echoing the sentiment of most, if not all straight men.


On the other hand there is nothing worse that trying to be cute while you’re traveling and being totally miserable and worn the hell out when you arrive. I remember only too well traveling with my mom when I was kid and getting smacked upside the head for the smallest thing because her feet hurt. Still, whenever I see other people arriving at their destinations looking so fly, so fresh and so clean, clean, it makes me wonder why I always choose to run around looking like a damn homeless person. Especially when I am as PASSIONATE ABOUT FASHION as I am.. I mean, I’m running around with my head tied up in a rag up under a hat, so I’m not messing up my hair, no makeup (ok, every once in a while I will do lipstick), layers of sweats so I don’t get cold on the plane (it does get damn cold on the plane), uggs, and way too much damn luggage to boot!


Another point to consider though, is how people treat you when you’re dressed well as opposed to dressed like a bum. As I observe this strange breed of people I admire so much, I notice they are usually treated very well. They ask for something and behave in a way that suggests they expect their request to be granted. I, on the other hand, ask for something, am told no, then ask again only to be told no again, then insist, then demand, then start screaming for the damn manager. Only when the person attending to me is told that I too am traveling in business class, just like the well dressed person before me, do they concede and realize that my request wasn’t so ridiculous after all (hahahahahahaha). And that’s only some of the time, sometimes the person will be like “git yo’ raggedy ass on outta here, hell naw I aint updatin’ you’ mileage account, heffa you know you aint got no damn mileage account”, or “you know you don’t belong in the executive lounge, now git!”
Other passengers roll over my feet with their luggage, men DO NOT offer to help me put my bag in the overhead even though I am 5’2” and visibly struggling trying to get a bag more than half my size (yeah, I know, big for a carry on) higher than my head. They will however, offer to help the well dressed woman, even though she may be 5’11” and carrying a pocket book the size of a wallet. It’s ridiculous and of course it’s not something I’m unaware of, hell I’m in the music business. It’s just that I think I’ve kind of gotten in the mindset that where travel is concerned, it’s comfort first and worry about looking good when I get off the damn plane ergo heavy bags. But I’m thinking I need to rethink this whole travel effect.. So I’ve decided to try a little experiment, stay tuned..


The shoes I wore on the plane..

(My accountant Bob and me.. Photo courtesy of Mary Crane, Bobs wife)

For some reason each time I visit Canada, it always reminds me of the 60's or 70's..
Like the US, but like I remember it as a little girl..
There's just something about it that takes me back to a time...

Sometimes it reminds me of France a little.. Hearing people speaking french in the
French-Canadian regions..
Sometimes it even reminds me of Australia with the Provinces and all that.. But
mostly it reminds me of the US about 30 years ago..

Obviously, it is a lot like the United States because of the close proximity to us
and the ability to observe, learn, and borrow so easily from one another.. Being our
neighbors and allies we're able to go back and forth extremely easily..
Gonna pause for a bit, I'm about to watch a movie.

So on a sidenote, I saw a great french film called Micmacs.. It's adorable! Go see
it, great cast, funny, sweet.. You'll love it. You won't even mind reading the
subtitles, promise..

Back to Canada, whenever I visit, I always find that I see so many things that
remind of being a little girl, mostly products (I saw a can of Tab cola today, when
is the last time you saw one of those?), TV programs, old buildings.. Remember when
there use to be a red fire alarm stand on every street corner in the US?

I don't know if I'm saying Canada is behind because it does seem very modern, it
seems to have every comfort we're used to at home. In fact, compared to a lot of
places I've traveled to, it is one of the closest to the US in having technological
modernization available to all with the exception of Germany, Switzerland and Japan,
I think (some other smaller European countries should be included in that as well)..

And yet, there is something a little old fashioned about the place and I don't mean
that in a bad way..
It's something to do with the people.. They are very kind, they're interested.. The
pace of life seems slower.. Even in the fast paced cities.. I don't know... Maybe
I'm talking out of my ass but it really reminds me of when I was a little girl..
.
I not saying people dont care in the states, not at all.. but I don't know.. It just
feels sometimes as though we've become so inundated with information and technology
and 9/11 and the war and Katrina and the BP oil spill.. Presidents getting impeached
and accused of cheating.. And everything in between..
You just become immune after a while... numb..

It doesn't feel like that here.. This country is big as hell and yet, everywhere you
go, feels like a small town..
I'm not that up to date with Canadian politics and I know no one person, or place is
perfect, so I'm sure Canada has had it share of scandals and disasters just like
us.. But hey.. they've got healthcare too..

This isn't an argument for or against Canada.. And it certainly isn't a comparison
by any means.. Or at least, not meant to be.. Its just my own little observation.
But there is something very lovely and quiet and quaint about Canada that feels warm
and familiar to me.. And it makes me smile

There is no place like NY in the summertime, love it, love it, loves it!! Every
place is jumpin' off and poppin', opportunities knockin', I'm running into friends,
old and new.. The sun feels good on my skin..I got a new do.. I'm pullin' out the
strappy sandals and the sleeveless tops and tight jeans (well actually.. I never
really put the tight jeans away) and the miniskirts and sundresses..

Hello fellow sunworshippers.. Got a lotta catchin' up.. Sorry for the long silence.
Been on hiatus for a while, just takin' it easy and reflecting.. Making a lot of
life changes, still some to go.
Revamping my interiors and exteriors you could say, and it was high time..

Figuring out what doesn't work anymore can be hard sometimes, I seem to get used to
things and want them to stay same 'cause it's what I know, what I'm used to and so
it feels comfortable. Even when it starts to get uncomfortable.. Hopefully you
understand where I'm coming from a little..

I decided I'm going to take time to reach out and get to know a few people I've been
admiring from afar and see if I can forge a few new friendships.. To my great
surprise I got a few totally unexpected calls from people saying "You know, we
should hang out sometime.. I've always liked your vibe and been wanting to reach out
to you". Seems they'd been making an effort to reach out to people they want to get
to know too!

Life is funny like that sometimes.. You say you want to make a change and try
something new and all the doors open and the phone starts ringing to that end! God
or Fate or whatever you want to call it..

I've decided to say NO more to doing things that don't make me happy, even if those
things are attached to a lot of $$ at the other end..

I plan to start putting 80% of my energy into my music instead of my usual divvying
up between the work that pays and the things I love which has been leaving less time
for me..
The thing about doing your own music is you make less money (at least in the
beginning) but whatever.. I'm preparing to work with less even though I'm praying
and hoping for more :-)
This is a big change for me but I'm ready for it.. I want to make time for the
people and things that I love and I finally figured out that A. I can't do
everything and B. The time is now...

I had a bad car accident last week.. 10 car pile up.. Wasn't hurt bad.. Just bruised
up, concussion, really sore.. Scared the hell outta me though.. Totaled my car..
Brand new Mini :-(
In fact, this whole year has kinda been like that.. A lot of big changes..
Not always smooth.. But que sera sera (one of my favorite songs.. check out the Sly
Stone version, *sidenote: did you know that Sly Stone dated Doris Day?). Kinda helps
put things in perspective..
The important things just become crystal clear..

Album 1 is complete.. Album 2 about 70% done with the music. Need to finish vocals,
artwork, photo shoots etc.. Still haven't decided which one to release first..
I ran into my friend and publicist Kat, yesterday at the movies (Sex and the City)..
I know that's a sign.. ;-)

Anyhoo, heading out on the road again with the legendary Joe Cocker.. whom I adore..
I can listen to him sing all day and nite.. I don't even want to hear myself sing
all day OR nite... Lol
We'll be opening for Tom Petty who I also love! If you see us heading to your town,
come out and see us..

Look for the new record in the fall..
Promise. 'Til then, if you get the chance, check out new music by these artists..
because they're awesome..
And because music can change the world..

Sandra St. Victor - Sinner Child
Kimberly Nicole - The Yellow Brick Journey
Colin Smith - The Wilderness
Lots of love.. See you somewhere soon..

My nephew and his dad in front of the Rockerfeller Center Tree..


As my friend Kevin would say, “where in the world is Vivian Sessoms?” He’s always telling me “You should write about your adventures and keep people posted on what you’re doing, they’re interested in knowing where you are and who you’re working with and all that jazz”.

You know, I get on these tangents sometimes, where I say I’m gonna’ write a blog and I have all these ideas in my head but I don’t sit down right away and put anything down and then I forget what I wanted to write about. My memory has gone to hell..

Anyways, hey you guys! I know it’s been a while, sorry about that. I expect we’re all getting ready as best we can for Christmas what with the snow and all. I, for once, did all my shopping early this year, as I planned to be out of town for Xmas. Actually, I planned to see Rob Thomas for my birthday and then spend the holiday with my nephew and fam, but alas work calls so here I am in snowy Slovakia (formerly Czechoslovakia). It’s a beautiful country, and I’m working very little so I’m getting to see a lot of the city I’m in (Bratislava). It’s only 30 minutes from Vienna (where I used to live some years back), and I’m performing with truly gifted musicians which is a real treat.

For Christmas I will head to London for a few days and spend time with a few of my closest friends and their family. One of the great things about being on the road is making new friends and keeping up with old friends. My buddy Everton Nelson is a brilliant violinist, who plays on practically every movie soundtrack we hear today. His wife Julia is a wonderful artist/graphic designer/singer who can cook her you know what off, so can Everton for that matter, so I’m very much looking forward to seeing them both. They have a beautiful little girl named Sienna who absolutely melts my heart every time I hear her voice with her little British accent. It’s too friggin’ adorable. Must pick up presents before I leave.

Enough with the travelogue for now. Let’s talk about music for a bit shall we? So the new record is, I would say, over half done. Thing is, I’ve been dragging my feet on it because I really want to do some things differently this time around so I’ve been spending time researching and doing my homework. Also, might be moving to LA next year so that might take a little time. In the meantime, for all of you who have been asking when is the record coming out, I’m going to preview some new tracks and pics from the new record in February, so stay tuned for that.
You can also look forward to a few unreleased tracks from the last record even sooner and of course, I’ll keep you posted on all that good stuff.

On another note, we got a very nice album review from our friends over at SoulTalk/BlogTalk Radio (thanks Duane ;-)), which you can read below. Duane has invited me to be a guest DJ on the show over the next few weeks. When I get the dates I’ll let you guys know so you can tune in. Usually at this time of year I do a list of my favorite albums for the year but this year I will count it down on the show so make sure to tune in.
I’m giving shout outs to a real eclectic mix of albums and artists this year as a nod to my changing genres with this next record.. I’m feeling something very different musically these days which I just can’t wait to share with you all.

I’m planning to do a show in February and I’ll be promoting a couple shows this spring as well so check the site for those dates.

Last but not least, I wanna’ give a heartfelt thanks to everyone for all the lovely birthday wishes. I got calls, and emails and messages on fb and every other mode of communication I can think of but it was awesome! Totally awesome!! So thank you to everyone for remembering me on my birthday. In return, I’d like to wish you all lots of love and joy this holiday season. May you be fruitful and prosperous in the New Year.
And remember, music can change the world..

Vivian


Reviewed by DAS aka Soul Talk 12/02/09
Albright - Sunny One Day

The talented duo of Vivian Sessoms & Chris Parks brings a very unique kind of soul sound to your ears; the smooth production with Vivian’s beautiful voice is very refreshing. Vivian takes you on a lyrical and vocal journey that speaks directly to your soul; she has a voice that seems to travel from jazz to soft R&B. The melodies and chord arrangements of the tracks are nicely done, just right for relaxed listening. On this CD entitled “Sunny One Day” it is difficult to pick a particular favorite because each has its own element.

“Oh Baby” gives you the sexy, crooning side of Vivian’s voice, where the title track “Sunny One Day” has a warm inviting feeling. “Its Alright” is a very soothing song with an upbeat tempo. The writing style of these two artists is sure to continue getting attention and garnering fans. Of the many female vocalists out there I would say that Vivian is definitely among the best of them.

www.blogtalkradio.com/expressionloveandpassion http://www.onixlink.com/black-music/album-sunny-one-day-albright-feat-vivian-sessoms/

Hello..
Long time no speak..
Sorry about that.
I''ve been off for the summer, so I decided to take it easy for a while. I haven't been home for the summer in a very long time, and it's been a rather strange one with the crazy weather and all that's been happening in the world.. The loss of some of our greatest musical icons..

The summer has become my favorite season of the year (sometimes autumn still wins out), but this summer with all of the rain and sad news brought out the introspective side of me. While I've been hard at work on a new record, I also feel strangely detached from music lately. I feel very passionately that this record is some of our best work to date, but still I've needed to take long breaks from recording to pursue other interests and to stop and reflect now and again..
Its been refreshing..
I've also discovered lots of new music which I'll share with you soon.

I got a dog this summer too, who I absolutely adore :-)
We rescued her from a shelter and she is an angel.. We've been going for long walks and getting to know one another..

On another note, it occurred to me recently that you guys don't know that much about my musical history, so I thought I'd share a funny story with you..

One of the things you don't know for instance, is that I have a great love for
standards and for big bands in particular. I'm a huge fan of all the greats.. Ella, Sarah, Billie, Nina, Dinah.. The list goes on, but I also listen to a lot Duke and Count and a few others.

The reason this is so is because of my grandmother. This was the music of my
grandmothers era.. She played it in the house all while I was growing up. She would sing her favorite songs to me and stand me on the coffee table to teach me how to dance.
As a kid I would sing an Ella Fitzgerald song just as easily as I would a Chaka Khan or Michael Jackson song.

A few years back I became completely obsessed with finding big bands in New York to hear and to sit in with.. I was unaware that there was whole movement dedicated to keeping the music alive and once I discovered that, I was ecstatic.. I dedicated myself right away to trying to establish myself on the scene, buying big band arrangements which I didn't realize are crazy expensive! I had a nice collection of vintage dresses, now I had a chance to use them.. It was an exciting time and I made a lot of new friends and learned a lot of new music..

The interesting and very cool thing about being a part of this scene was that when you went to a concert there was always dancing and the crowd would be a mix of people ranging in age from 20 all the way up to 70 and 80 year olds including the legendary Frankie Manning (the man credited with inventing the Lindy Hop), and Dawn Hampton (another incredible and much sought after dancer and singer in her own right).

In this way young people got to mix with people who actually were around in the 1930's and 40's and lived to tell about it, and believe me, these were great and often colorful stories to be sure!

In the midst of this I also met many great musicians and their wives and
girlfriends.. It was one of these musicians whose girlfriend Amy said to me one day, 'I want to introduce you to Les Paul'.


Now before I go on with the story, let me interject.. I am a Jimi Hendrix fan.. I LOVE this man... If there was anyone that I could go back in time and meet, there are a few but Jimi would be at the top of that list, ok?
Ok, so suffice it to say that I've read many books on Jimi Hendrix and in reading about Jimi, I learned a lot about Les Paul, inventor of the electric guitar, inventor of the multi-tracking tape machine, both of which revolutionized music and the recording industry forever..


(A little known fact, Les Paul tried to sign Jimi to his record company right around the time moved to England to record his first record.)

So back to the story.. My friend Amy had said she wanted to take me to meet Les Paul and more specifically, she wanted him to hear me.. Of course I was very excited and honored but I was starting to tour a lot so finding the time became difficult..

Eventually, I had a break one spring and was hanging out in the city to see one of my favorite big bands, the Harlem Renaissance Orchestra. Amy was there and said 'Hey let's run over and see Les, you want to?' And of course I said yes..

Now for some reason, I was wearing my hair in Indian styled braids then.. You know, 2 long Pocahontas plaits, one on each side.. Maybe I was just lazy but it was summertime and it was easy and saved me time but it made me look 12 years old.. :-)

Anyway, we get inside the club and go back stage before the show and Amy introduces me to Les and he was very nice, really nice, but of course he meets lots of people everyday, and he kept forgetting my name a little. Normally I would have attributed this to his being a little older but the man was so sharp and so witty, I mean he had such a hilarious sense of humor and you just know that no one is that funny or astute without having all their faculties straight. I'm sure he was just tired of having to meet and greet people that night, which I totally understood. I was still
very excited about meeting him none the less..

If you've never seen Les Paul, he used to do every Monday night at the Iridium night club in New York. I think he must have been doing this for about 20 - 25 years though it could be longer.. He'd play guitar along with upright bass, piano and another guitar.. No drums.. And he played beautifully, I mean I've never heard anything like it.. His touch, his phrasing, just beautiful.. I'd heard that he'd suffered a stroke several years back and couldn't play for a while and after he resumed playing he didn't think his playing was as good but I totally disagree. After seeing him that first evening, I bought a few of his records and I swear I couldn't tell the difference.

The club was packed and it was a who's who of famous guitarists and other musicians as well. I think the guitarist from Bon Jovi or Aerosmith was there.. In any case, Les told story after story, playing songs in between, and inviting various guests up to sit in.

Toward the the end of the set, he leaned over to ask the guitarist a question, to which the guitarist shrugged his shoulders. Then he leaned over and asked the pianist, probably the same question and he also shrugged..
He then leaned in to the mike and said, "I'd like to invite a young lady up right now, but I'm embarrassed to say, I don't remember her name... Is the little colored girl still here? There was a little colored girl backstage earlier, with 2 long plaits, are you still here young lady?"

As I looked around, I realized I was the only colored girl in the room and realized to my surprise, he was talking about me..
Hahahaha.. I had a good chuckle then got up and made my way to the stage..

As we hadn't paid to get in, Amy and I were sitting in the back of the club, so it took me a few minutes to get to the stage, all the while Les was still calling out for the little colored girl.. Then went into another story while waiting for me to come up (it really was that hard to get to the stage).

Finally, he finished the story, invited me up and said "Well young lady, tell us who you are" to which I replied "Hi everybody, I'm the little colored girl"... the audience roared!

Then I sang a song, and Les said it was wonderful and asked me to do another and then another, and then he said something I'll never forget.. He said, "You know Miss, I'd like to invite you back to do a whole evening featuring you on vocals with the band, would you like that?" And I said I would like that very much, and then I thanked him and left the stage..

My friend Amy said Les never let's people he doesn't know sing more than one song so I should feel honored, and I did..

That is my Les Paul Story..

We've lost some great ones this year.. But they will always be remembered for what
they gave us..

Thank you for reading..


Below is a partial list of famous guitarists who play a Les Paul guitar

Duane Allman - Sunburst, Goldtop
Billie Joe Armstrong (Green Day) - Junior
Martin Barre (Jethro Tull) - Standard Sunburst
Jeff Beck - Standard Sunburst
Fran Beecher (Bill Haley and His Comets) - Custom
Ariel Bender (Mott the Hoople) - Junior
Chuck Berry - Custom
Dickey Betts (Allman Bros.) - ’59 Standard Sunburst, ’57 Goldtop
Marc Bolan (T.Rex) - Standard Sunburst
Kix Brooks (Brooks and Dunn) - Standard
Buckethead - Custom
Bumblefoot (Guns N’ Roses)
Lindsey Buckingham (Fleetwood Mac) - Custom
Chester Burnett "Howlin’ Wolf" - Goldtop
Toy Caldwell (Marshall Tucker) - Standard
Vivian Campbell (Def Leppard) - Standard
Graham Coxon (Blur) - Custom
Charlie Daniels - ’58 Standard
Eric Clapton - Standard Sunburst, ’61 SG-style, Custom
Steve Clark (Def Leppard) - Standard
Bill Connors (Return to Forever) - Custom
Sheryl Crow - Special
Dave Davies (The Kinks) - Custom, Goldtop
Al Di Meola - Custom
Rick Derringer (Johnny Winter And, Edgar Winter Group) - Goldtop
Andy Dunlop (Travis) - Deluxe
Elliot Easton (Cars) - Goldtop
David "The Edge" Evans (U2) - Custom, Goldtop
Don Felder (Eagles) - Standard
John Fogerty - Custom, Goldtop, Standard
Peter Frampton - Custom "Black Beauty"
Ace Frehley (Kiss) - Custom
Robert Fripp (King Crimson) - Custom Black Beauty
John Frusciante (Red Hot Chili Peppers) - ’69 Custom
Noel Gallagher (Oasis) - Standard
Jerry Garcia (The Grateful Dead) - Goldtop
Billy Gibbons (Z.Z. Top) - ’59 Sunburst
David Gilmour (Pink Floyd) - ’56 Goldtop w/Bigsby
Ray Gomez (Stanley Clarke) - Standard
Stone Gossard (Pearl Jam) - Standard
Peter Green (Fleetwood Mac) - ’59 Standard Sunburst
Steve Hackett (Genesis) - Goldtop
Kirk Hammett (Metallica) - ’68 Custom "Black Beauty"
George Harrison - Plain top Standard
Warren Haynes (Allman Bros, Gov’t Mule) - Standard, Les Paul 12-string
Jimi Hendrix - Custom
James Hetfield (Metallica) - Custom
Noel Hogan (The Cranberries) - Custom
James Honeyman-Scott (The Pretenders) - Standard
John Lee Hooker - Goldtop
Steve Hunter (Lou Reed, Alice Cooper) - Special
Davey Johnstone (Elton John) - Custom
Adam Jones (Tool) - Custom
Billy Jones (The Outlaws) - Custom
Brian Jones (The Rolling Stones) - Goldtop
Mick Jones (The Clash) - Junior, Custom
Mick Jones (Foreigner) - Custom, ’61 SG-style
Steve Jones (Sex Pistols) - Custom, Special, Sunburst
Terry Kath (Chicago) - Les Paul Recording
Danny Kirwan (Fleetwood Mac) - Custom
Mark Knopfler (Dire Straits) LP seen in "Money for Nothing" video
Allen Lanier (Blue Oyster Cult) - Standard
Albert Lee - Custom
Frank Lero (My Chemical Romance) - Epiphone Standard
Alex Lifeson (Rush) - Standard, Custom
Kerry Livgren (Kansas) - ’69 Deluxe
Thin Lizzy (Scott Gorham - Deluxe; Brian Robertson - Deluxe; Gary Moore - Standard; Snowy White - Goldtop; John Sykes - Custom)
Steve Lukather (Toto, sessions) - Standard Sunburst
Harvey Mandel (Canned Heat)
Paul McCartney - Standard Sunburst, Goldtop (both left-handed)
John McLaughlin - Custom
Mike McCready (Pearl Jam) - Standard
Henry McCullough (Joe Cocker, Wings) - Goldtop
Bob Marley - Special
Sonny Mayo (Amen) - Custom
Steve Miller - Goldtop, Standard
Rick Nielsen (Cheap Trick) - Standard, Goldtop
Jimmy Page - ’58 and ’59 Standard Sunburst
Les Paul - a bunch of ’em, but especially the Les Paul Recording
Carl Perkins - Goldtop
Joe Perry (Aerosmith) - Standard Sunburst
Vicki Peterson (The Bangles) - Custom
Rod Price (Foghat) - Custom
Mick Ralphs (Mott the Hoople, Bad Company) - Junior
Amy Ray (Indigo Girls) - Standard
Randy Rhoads - Custom
Keith Richards (The Rolling Stones) - Standard, Custom
Gary Richrath (R.E.O. Speedwagon) - Standard, Goldtop, Custom
Donald "Buck Dharma" Roeser (Blue Oyster Cult) - Standard
Mick Ronson (David Bowie) - Custom
Gary Rossington (Lynyrd Skynyrd) - ’59 Custom
Todd Rundgren - ’61 SG/Les Paul
Carlos Santana - Special
Joey Santiago (The Pixies) - Custom
Joe Satriani - Standard
Boz Scaggs - Goldtop
Tom Scholz (Boston) - Goldtop
Neal Schon (Santana, Journey) - Standard
Kenny Wayne Shepherd - Standard
Slash (Guns N’ Roses) - Standard Sunburst
Earl Slick (David Bowie) - Custom
Steve Stevens (Billy Idol) - Standard
Steve Stills - Custom with Bigsby
Joe Strummer (The Clash) - Junior
Hubert Sumlin - Goldtop
Mick Taylor (The Rolling Stones) - Standard Sunburst
Johnny Thunders (New York Dolls) - Junior
Pete Townshend (The Who) - Deluxe
Ted Turner (Wishbone Ash) - Junior
Joe Walsh (James Gang, Eagles) - Standard Sunburst
Muddy Waters - Goldtop
Jeff Watson (Night Ranger) - ’56 Goldtop
Leslie West (Mountain) - Junior
Whitesnake (Adrian Vandenberg; Mick Moody; Bernie Marsden; Mel Galley)
Brad Whitford (Aerosmith) - Standard Sunburst
Nancy Wilson (Heart) - Epiphone Les Paul Ultra
Johnny Winter - Goldtop
Ron Wood (Faces, The Rolling Stones) - Custom
Zakk Wylde - Special
Neil Young - ’56 Goldtop painted black
Frank Zappa - Goldtop

“A long, long time ago...
I can still remember how
The music used to make me smile.
And I knew if I had my chance
That I could make those people dance
And, maybe, they’d be happy for a while..

I can’t remember if I cried
When I read about his widowed bride,
But something touched me deep inside
The day the music died..”
-Don McLean

When I was a very little girl, I would hear this song on the radio and it would make me cry. I didn’t understand why, I was too little to understand the concept of death or dying and I didn’t really know what to song was about. There was just something about “the music dying” that seemed awful and forever to me. To this day that song still makes me a little sad.


Hey guys,
Sorry I’ve been away for a bit. Been busy as you all know, working on new music but I felt like I needed to stop for a few days. The music just left my head. Feels like I can’t hear anything. The day I heard the news I was so stunned, hell everyone in the world was stunned, but I thought… in a day or so it won’t seem like such a shock. Even though it felt like I just lost a brother, it felt odd to be grieving so much for someone I’ve never even met. At first I said “I’m not going to watch any programs or news, or listen any radio stations playing his music, at least not for a while.” I taped a lot of stuff but I still haven’t watched, it feels too hard.

I can remember when Donny Hathaway died and feeling really sad but I was just a kid. I understood the concept of death better but up to that point I had never lost anyone close to me or been to a funeral. I knew it was a tragedy and though I didn’t understand how or why he died, I was very sad. Even though I was a kid, I somehow instinctively knew that music would be very different without him. Maybe that’s because I can remember the first time I heard Mr. Hathaway. It was Christmas of 1970. I was going to take my first plane trip to California to visit an aunt. I was going with my father and his parents and I was beside myself with excitement. When we arrived, the entire car ride from the airport to the house, all my aunt talked about were these two new artists that were making incredible, and really beautiful music. It was music for black people, young, hip, soul music for young, hip, beautiful black people. Of course that wasn’t exactly what she said but it’s how I remember it, it’s what she conveyed. It was music that people actually sat and listened to. It seemed to me, now thinking back on it, to be a new kind of blues if you will, very heady, dark and rich, their voices, both so soulful and so full of yearning. Those artists were Donny Hathaway and Al Green. During that vacation which lasted several weeks, there was no other music played in the house, and I mean no other music. But all of this was shaping me and I still remember it as one of the best Christmas’s I’ve ever spent with my dad and his family. Somehow listening to those two artists still remind me of my dad, so I was very sad when Donny died.

I also remember the day Marvin died. The shock of hearing of his death and how he died, I remember feeling ripped apart by that. Now I could really and truly relate, having begun to lose loved ones. I also knew that I would never be able to do anything with my life but music and was so completely engrossed in all things musical. More importantly though, I had met Marvin Gaye a few times and he was so very kind to me. Furthermore, not so long before, my childhood friends and I spent an entire summer dancing to Got To Give It Up. It was one of those records that defined a period in our lives and we never stopped playing it the entire summer long, literally. Now I knew music would never be the same.

Then three years ago James Brown passed and again we were all shocked and saddened. Where as Donny, Al, and Marvin might have been my mother’s music, James Brown was everyone’s music, young and old. You danced your ass off listening to James Brown, he kept it grimy, gritty, and soulful. It was soul of the rawest kind, not polished and beautiful but very honest and very real.

When I was a really little girl I was completely, and I mean completely consumed with two artists, one of whom was the magnificent James Brown. Now please believe me when I say this is the truth, my father played percussion with James Brown, (that’s not the part I want you to believe, though it is the truth), but before that, before I could even read, I could read the name James Brown, don’t ask me how because I don’t know. I just know that growing up in the St Nick projects, which is only a few blocks from 125th street (a major thoroughfare and shopping street in Harlem) we used to pass by the Apollo on a regular basis. If I passed that Apollo Theatre and saw the name James Brown on the marquee and my mother said we weren’t going I raised holy hell right there in the middle of the street. Now here’s something else I really want you to understand. You DO NOT have temper tantrums when a black woman is your mother, ok?? You just don’t do it, but that’s on the level, how much I had, not wanted, had to see James Brown. The funny thing is, and this is really funny, sometimes we would have tickets and my mother would be trying to explain to me that we were going to go but the show wasn’t that day or that he wasn’t even in town yet, he might be coming the following week or month but I would be standing in the middle of 125th street screaming at the top of my lungs and my mother would literally have to drag me away form the Apollo. After my dad started playing with him I got to see him often (which was made even better by getting to see my dad too) for as long as my dad had that gig, which wasn’t a very long time but long enough for me to have seen lots of shows.

I still don’t know why I was so mesmerized by James Brown but I suspect it might have been his dancing. I would stand on my seat and watch the whole show (I was only 3 or 4) and not move until it was over. I was star struck and I wasn’t the only one as evidenced by the many artists he influenced from George Clinton, to Jackie Wilson, to Prince, to Michael, speaking of which, the other artist I was obsessed with at that time was the Jackson 5 and particularly Michael.

Here at last was music, that even though everyone loved it, seemed perfectly geared toward black kids especially. In truth it reached all kids black and white, so much so that the Jackson’s white counterpart, The Osmond Brothers came quickly after. I was too young to remember Little Stevie Wonder, he was before my time, had I been a little older, I might have been daydreaming about Stevie but as fate would have it James Brown and the Jackson 5 are the ones who really struck me the hardest. Theirs are the first songs that I can actually remember besides songs I learned in school and the ones my mother would teach me.
My mother was a singer too and taught me many songs as a kid, particularly a lot of Doo Wop and Motown songs. I couldn’t read or write yet but I could harmonize with my mother and sing backup. I guess you could say that I already had the bug at that point, having seen my dad on stage and watching my mom singing. I’d be in the mirror, brush in hand singing with Michael, trying do the dance steps. When the Jackson’s were on television everyone in the building watched. Actually, if any black person was on television we’d all be glued to the tv, but Michael was different because he was this little kid, maybe 7 or 8 years old doing all this amazing stuff. though I was gonna’ marry him. No for real, I thought I was gonna’ marry Michael, I’m not joking.

I realized last week that for every phase of my life there was a Jackson or Michael Jackson record to go with it. All through my childhood and teenage years, even after I became an adult and was falling in love for real it was to a Michael Jackson song. Even my son became obsessed with Michael Jackson. I remember being absolutely mesmerized the first time I heard Don’t Stop ‘Til You Get Enough. I would sit in front of the stereo and play that song and that album over and over and over again. I would study it. And then when we thought he couldn’t top himself he came back with Thriller. He looked totally different and we were all really surprised but we didn’t care. And then he outdid himself and everyone else by moon walking on the Motown 25th anniversary show.


My heart has been aching since I heard the news and hasn’t stopped. I feel like a fool but there it is. My sister in law told me when she goes to sleep, she grieves in her stomach for Michael. I know what she means. I’m trying to figure out why I’m so despondent over someone I never really knew. I wonder if it’s because it seems to me like he never got the to have the childhood he deserved and had to sacrifice so much of his whole life to be what he was to all of us. Or maybe I feel awful because it seems like he never got to have much happiness in his life, growing up with Joe Jackson for a father, then being harassed and torn down in his prime by greedy, shameless people who took advantage of him and did irreparable damage to the reputation of one of the greatest musical icons to ever live (now the kid comes forward and says Michael never touched him... disgusting). One of my closest friends says everyone on this earth feels exactly as I do because when Michael died our childhoods died with him. Beautifully said.. I think it’s that the music died.. at least for me.. for now.

Dear Michael,
No one in the world has ever been able to touch the hearts of so many and no one has ever been loved more..
I hope you see..
God bless you.

Jeremy Blake - Berkshire Fangs ('01)
Jeremy Blake - Berkshire Fangs ('02)
Jeremy Blake - Mod Lang ('02)
Jeremy Blake - Chemical Sundown ('01)
I'd like to, if I may, introduce you guys to some of the most visually stunning artwork I have ever seen (above).

I remember the first time I saw the movie Punch Drunk Love and being so in love with that movie for so many different reasons.
I thought the music was just magical, and oh so lovely.. so much so, that I bought the soundtrack the next day, particularly for the song "He Needs Me". To my surprise I discovered the soundtrack had been done by Jon Brion, who is my dream producer and at the top of my list as far as producers go (Elliott Smith, Fiona Apple, Rufus Wainwright, Kanye, Keane, Dido - all artists I love.. you can see him every Friday at Largo at the Coronet in Los Angeles).
I also found that the song "He Needs Me" was written by Harry Nilsson for the movie Popeye and was sung by Shelley Duvall. Harry Nilsson is one of my all time favorite artists for having what I think is one of THE most beautiful voices of the century (though I love them all, my favorite album by him is Nilsson sings Newman). The soundtrack overall though, just has an old world charm to it, and a little bit of a foreign film feel to it. It is a delight.

As for the cinematography, breathtaking.. I couldn't stop watching. I love it when a movie grips me the way that Punch Drunk Love did, it wasn't just a sweet story, which it most certainly was, but the characters involved were all really kooky, and exuberant.. with Adam Sandler in a a way we've never seen him before and Emily Watson who was lovely and refreshing.

In my opinion, the past 10 years has seen a whole spate of films by a new kind of director, guys that want to tell a story in a whole new way and shoot film in a very different way, that to my mind, has made film so much more interesting and engrossing, directors like;

Paul Thomas Anderson (Magnolia)
Wes Anderson (The Royal Tenenbaums, Rushmore)
Michel Gondry (The Eternal Sunshine of the Spotless Mind)
David O Russell (I Heart Huckabees)
Tim Burton (Sleepy Hollow, Big Fish, Edward Scissorhands)
The Hughes Brothers (From Hell)
The Wachowski Brothers (V for Vendetta, The Matrix)
The Coen Brothers (O Brother, Where Art Thou, Fargo)
Ryan Murphy (Running with Scissors)

But the thing that always set Punch Drunk Love apart for me was how visually stunning the film was. The film was literally interspersed with these out of focus, really colourful, beautiful shots and I always wondered how the hell they did that, I thought maybe they just make the camera go out of focus and that was what you'd see, these colourful shapes but I've asked people in the industry about this and they all say no.

I think I might have seen that film in 2003..
Fast forward to 2008..

I'm sitting in my Dr's office waiting to be seen and pick up a copy of the New Yorker Magazine. It was a special fashion issue and it had very beautiful clothes in it, all designed by relatively unknown designers. When I was ready to leave, I asked if I could take the magazine with me and they said yes. I carried it around in my bag for weeks. It was full of all kinds of interesting stuff but one of the last stories I read in it was the story of Theresa Duncan and Jeremy Blake.

Their story went a little something like this; 2 young and amazingly gifted artists meet in their early 20's in New York and find an immediate attraction between them. Before long they are inseparable, Theresa becoming a successful video game creator (Chop Suey, Smarty Pants, and Zero Zero), and Jeremy beginning to find his way in the art world. Theresa begins to write screenplays and the 2 eventually move to LA, where Theresa begins to shop her film ideas. Jeremy in turn begins to find his own voice and style through a somewhat new medium that he is partially credited with creating. I don't know that I really understand it, but it would seem that it is a kind of graphic design using film and computers. Some of the works he created are used in the film Punch Drunk Love (the ones I always wondered about). The 2 are beloved by many and seem to be at the center of their own universe when after 12 years together, the unthinkable happens, Theresa commits suicide. One week later Jeremy follows in her footsteps. Their untimely deaths rock the art world, film world etc.

It is possible I may not be telling their story correctly so I mean no disrespect to any who might read this having known the couple, nor do I mean for this story to be a downer. I just finally found the answer to a plaguing question and in finding Mr Blake, have discovered a brilliant artist who's work deserves to live on.. Let's celebrate him shall we?
You can see his works here http://www.ktfineart.com/artists/jeremy_blake/
Epilogue..
Sometimes being an artist is not at all glamourous, it is hard fucking work.. but if you love what you do and are good at what you do, there are rare moments of intense clarity, of dreams being realized and of stunning beauty..
Sometimes that is enough, sometimes not..
What we hope, is that the beautiful works will live on..


Thank you for reading

“In many ways the work of a critic is easy, we risk very little, yet enjoy a position over those who offer up their work and their selves for our judgement. We thrive on negative criticism, which is fun to write and to read, but the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defense of the new. The world is often unkind to new talent, new creations and new… needs friends..”
-Ratatouille

Viv, Jen & indie artist J. Henry

Hey everybody,
Viv here with the next ep of the ISA.

Today I’m going to talk a little bit more about prospective managers.
Using The Secret and all the other principles I know to draw the right manager to me, lol, I’ve been spending time talking to people, asking questions, brainstorming, etc.
What I’ve been finding is that the best candidates are coming up in the most unlikely places.

Part of the reason for this is that most established managers in the industry are looking for a very established artist (mainly in record sales and or following) to work with, thereby missing out on the potential great artist that may unwittingly cross their path. Of course this is understandable, tried and tested is always preferable albeit not always available these days.

While most of us musicians and music lovers have heard nothing but how much the industry is changing for the last 3 or 4 years, and indeed it has changed greatly, I still think that it has changed in our favour (independent musicians). I think there are more opportunities available to indie artists than ever before, but it’s also harder to know what’s out there, when we probably have more artists making music now than ever before in the history of music.

Another reason to look in unlikely places, is that being independent, you can probably be better guided by someone who isn’t chained to outdated modes and ideals. Someone thinking completely out of the box at this time, is probably just the thing that’s needed, considering the fact that at this time in the music business, almost anything goes.. fresh ideas, new approaches and independent thinking are welcome.

With that, I’ll tell you about my 2 latest prospects.
Long shots to say the least, but two very different people who I believe with the right amount of hard work & vision could be absolutely perfect partners for steering this venture.

They are both women.

The first is a seasoned former exec with many years of experience in the music industry, having worked at Viacom, Sony, a few other companies I cant remember and lastly as the GM of a large independent record/management company. She quit because she didn’t care for the label heads business practices and modus operandi (INTEGRITY, gotta love her for that). She has an entrepreneurial spirit which she showed in opening up her own restaurant a few years ago (which means she has valuable experience in other areas of business), she’s funny, and smart, charming as hell and a true people person, which for me is an absolute plus since I’m a shy type. Plus she’s a go-getter so it’s almost a no brainer. The downside is she has a young family and lots of family stuff happening (which isn’t a downside for me at all, but could be hard to balance as a wife and mother). Still, she’s a woman who carved out a niche for herself in a predominately male run industry and climbed up the corporate ladder all on her own.

I should preface this next paragraph by stating that the second candidate doesn’t seem to want manage, or rather doesn’t know if she’d make a good one, although it’s pretty much what she does all day. Let’s just say she’s an amazing coordinator and/or orchestrator. She works in marketing outside the music business but has a deep and intuitive love for music and musicians. She is one of those keepers of the flames so to speak. It’s crystal clear to me, as it probably is to most everyone that come into contact with her, that she should be doing something in the entertainment industry, but just what that is, she’s still unclear about. Still she is one of those people that enters a room and will know a little something about everyone before she leaves it and what’s more, everyone that comes into contact with her wants to know her and enjoys her company as she is knowledgeable in just about everything. That’s a gift. You can call her up and ask for a contact to any person anywhere in the music business and she will either know someone or find someone who does. Now that’s what I call SPARK! Plus she’s a people person as well and has a natural curiosity and a sharp wit. The downside as I said earlier, is that she doesn’t see herself as manager exactly.

2 brilliant and accomplished prospective managers none the less.

Stay tuned and look for the first video blog next week featuring new music.
Thanks for reading,
Vivian

remember.. music can change the world.

Reposted from http://thekatalist.blogspot.com/
On Saturday night two friends and I went out for a late night hang. In search of a place where we could chill out and catch-up, I suggested Tillman's Bar and Lounge for no other reason than the fact that it was close to our meeting point and I knew they would be open late. While friend number one searched for parking I got out and asked the bouncer a few basic questions that progressed (or digressed actually) like this:


Q - Can we park on this block after 1(AM)?
A - No. They ticket and tow.


Q - How late is the kitchen open?
A - 2AM, but we're only accepting reservations right now.


Q - Reservations? Er so you mean there is no room at the bar either?
A - No only reservations for the bar too...


Q - So basically your saying we can't get in huh?
A - That's right.


Initially, I wasn't THAT taken aback by the downward spiral of this conversation. I figured the place was packed; unusual yes in these times, but hey you never know. So I tried unsuccessfully to reach my other friend by cell so she wouldn't waste her time searching for a spot but she eventually came strolling up and after hearing that they wouldn't take us, she decided to make a second attempt. At just that same moment, the hostess came out and my friend asked her instead about the availability and contrary to my exchange with the bouncer, she welcomed us all in with a smile.

Hmmmmmm.


So we enter the vestibule; not forgetting to give the bouncer a dirty look as we stepped inside. We walk through the short dark hall and right before we pull back the the heavy drapes to enter the establishment, I started preparing for my push through the crowd only to find...Tada! The place was empty!! Ok, OK they had a few bar stools and tables filled, but in no way filled to capacity. You know what I did? I left it alone...I figured I would make a small complaint to the manager on my way out and chalk the incident up to a misunderstanding or misjudgement on the part of the bouncer.

We ate. We drank. We were merry.


Upon leaving we found the manager. I described what had happened and asked him for an explanation. Here's what he had to say (paraphrased of course):

We DO only take reservations on Thursday, Friday and Saturdays.
Management has the right to be selective.
Well you got in didn't you? (More like a question than an answer, but arrogant nonetheless)

No denial. No apology.


My reaction?? I posed this question to myself:
WWOD? What Would Obama Do? (I borrowed this phrase from and give full credit to my best friend Kemba for this one).


Well I really don't know what he would do but the question at least calmed me down enough to keep it moving. Knowing plenty of bouncers and club owners personally, I pretty much know the rules of the velvet rope; no sneakers, no single men, no drunk people and since none of these applied to us, I could only assume that the folks over at Tillman's seem to have found a new one; The "No damn reason at all except for the bouncers' own prejudice and ignorance" policy.

In this day and age; during a time when most restaurants are going under, Tillman's has taken it upon themselves to hold tight to some randomly subjective velvet rope code that only they can decipher.

If one chooses to spend their money wisely (my thanks to AC for the drinks btw) then, I think we too as patrons should practice a variation on Tillman's policy of: Being Selective

I hope you too will join me in Being Selective by "selecting" some other place and NOT Tillman's when making future plans for a night out in NYC.


Ciao for now...
The Katalist


Epilogue - I just got off the phone with my homegurl that was with me that night (I wanted to fact-check what I described above) and she got me all fired up again about what went down only two nights ago. This is MY blog DAMMIT and if I can't write about what I'm thinkin' then WTF! Now for the real deal about all the thoughts I had regarding this incident:

Tillman's Bar and Lounge is a racist Black-owned establishment...That's right I'm taking it there. And for those of you who don't know me...I'M BLACK! and I looked DAMN GOOD that night as did my two friends. So why in the world did this bouncer screen us; no! a better term would be PROFILE us as a "DO NOT ALLOW"?

Believe it or not, I don't have many personal accounts of being a victim of blatant racial discrimination...knowingly anyway. I got a few - security following me in a department store, poor service in a restaurant, job application rejections and not being able to catch a cab, but this one is some bullshit! Why? Because it was my own people who were doing the dirty deed this time. You don't agree with me?? Maybe I'm over reacting?? Listen my anger is a base reaction; meaning, I don't need historical or psychological rhetoric to back me up or justify my feelings. I was insulted and furthermore ashamed by the behavior of two black men who under different circumstances would have probably been friends of mine in a parallel Universe (like Brooklyn or Harlem).

I jest only to alleviate and counteract my pain.

So now it ends (or maybe begins for that matter) with me having to use my powers for evil instead of good. This blog along with a viral e-mail campaign are kindling and I intend to spread the word about Tillman's. I don't care about an apology anymore. I looked for that on Saturday night. I use this vehicle to vent and I've accomplished that BUT if anyone reading this would like to make a comment to Tillman's about their "screening" policies, I've included their contact information below for your convenience....just in case you'd like for them to know your opinion.

astrid@tillmansnyc.com or
lesly@tillmansnyc.com
212.627.8320

*Reposted from http://zeethebakedziti.blogspot.com/Nov 2008

What's up Amus?
Haven't holla'd in awhile so I thought that now would be a good time to re-open our lines of communication.

I have to admit, I stopped listening to your albums. Well, I still listen to FRANK. Sometimes I can't help it. It reminds of me of how it used to be..

Ahem.

Wow. The FRANK LP---those were good times. I remember when you gave me the single for "In My Bed". I was floored. Your jack of Nasir's "Made You Look" had me open. Actually I think I was more amazed by the fact that Salaam "I-Gave-The-Fugees-Their-Hottest-Track" Remi produced a heater for Nasir in 2002 and turned around and gave you the SAME track in 2003. Even greater than that? I couldn't say sh*t---the song was diggy diggy DOPE! Considering the fact that I was kinda disgusted that Nas flipped the beat from "Thief's Theme" and turned around and used it for "Hip Hop Is Dead" (shame on you, Will I. Am). I mean, I'm not against "artistic" beat-jacking---but gottdammit Nas! You jacked your own music for your lead single, ON YOUR VERY NEXT ALBUM....damn you ESCO!!!

I digress. This isn't about Nasty Nas/Nastradamus. This is about you---isn't it, Aim?

[NOTE: I did decipher that you had a "jones" (no pun intended) for Nasir WAYYYY before anyone could put that sh*t together. I mean c'mon; you used his music for your single, on the first album, then on your follow-up album you recorded a song "Me and Mr. Jones". I was all over that shit like gottdamned Magnum P.I. My sleuthing skills are bar none.....with the exception of Shaggy and Scooby.]

Anyhoo......
(BTW, this is really how you use the word "anyhoo". You internet numb nuts need to get your sh*t together)

As I was saying.....

I was feeling you Amus. 'In My Bed' took me back to a time when a young Mary Blige was rocking over break beats. Whereas Mary marked the evolution of "New Jack Swing" to "Hip Hop Soul", you provided "Retro Soul" as an alternative to Bubblegum/Crunk/Insta-Soul music. [Note: I speak of these terms as phases and NOT sub-genres. I will not make the same mistakes Kedar made.]

I remember when you sent me the link to the Ghostface promo. It was a commercial for GFK's 'More Fish' album. I dug the commercial. C'mon, it was Ghost! In the background of the 30 second spot, somebody was singing. Wait a minute....that ain't Ghost (obviously)?!?!

Hold up.....who's that singing in the background?

Commercial.....Ghostface.....background music.....ol' school sounding...female singer....kinda sounds like Shirley Bassey......hold the hell up! Oh Sh*t!!! Amus, that's you!!! Oh snap!!! That's why you sent me the link! Damn ziti...duh??? I stood there, grabbing my heart like Fred G. Sanford.

December 2006. I copped the 'More Fish' album. I listened to "You Know I'm No Good" a million frigging times. A less than stellar 2006 was redeemed with one supreme collab. Ghostface+Wineface? That was the one-two punch of the year.

January 2007. Your peoples at Universal sent me a DVD. Ahhh, I remember it like it was yesterday; I'd just got home and I really wanted to wolf down the hoagie that Monica, from the deli, made for me. Actually, after seeing Monica, I wanted to jump in the shower and......AHEM (dammit Ziti....get a hold of yerfself)!!! Anyway, I popped in the DVD, opened my sandwich and ohhhhhhhhhhhhhhhhhh shitttttttt!!!!! A video! F*cking Eureka! It was for the song "You Know I'm No Good". Even though this version was Ghost-less, I was stunned, nonetheless.

You looked different since the last time we saw each other. You had an enormous bee-hive. You lost a little weight. You had these crazy, biker chick tattoos. One of your tats even featured a naked woman. That put you in good with one of my babes. She secretly wants to have a lesbian encounter. She doesn't think I know. Shhhhhhh.

I loved you. You were a cross between The Supremes and Alanis Morrisette; You had the flair, image and pipes of Diana and the girls. You had the truth and I-Don't-Give-A-F*ck attitude of Alanis. You were old AND new at the same time. You were going to run the second leg of a race that Erykah, D'Angelo and Jill had started. In the video, you were slinking around in that tub, showing off rug burns to a jilted lover. You could sing (or sang --- i.e. "that heifer Amy Winehouse can SANG"). You were going to raise the bar for these other Nickelodeon pop tart singer hoes.

Maybe that was too much to ask for.

*(to be con't..)

(*note - reprinted from albrightmusic.com - feb 2008)

..And what about you D?
How much longer do we have to wait for the next one?
We all know you recorded about 10 albums worth of material when you did 'Voodoo'. Can't we just get an EP? A single leaked to the internet?? Somethin'? I've just about played the words of 'Brown Sugar' and 'Voodoo'.

You know you single handedly changed the the sound of R&B music in the nineties, don't you? There are many others that have done great things in music but you are one of the few that gave us a brand new sound.. New for us anyways.. Let's see... before you, there was Scott Joplin, Little Richard (or) Chuck Berry (don't know which of the 2 of them is credited with bringing rock and roll to the world), Charlie Parker & Dizzy Gilespie, Bob Marley, Teddy Riley and you..
Now there were many other folks who came before you.. Sly Stone, Jimi Hendryx, Miles Davis, Ella & Sarah, Duke, Sam Cooke, Jackie Wilson, Michael, Stevie, Curtis, Marvin, Al, Earth Wind & Fire, and on & on, not to mention Ludwig Von Beethoven, as black artists who have been groundbreaking and forward thinking but there are only a few that we can truly say started a genre or had a musical term coined after their music.. You are one of the few..

One of the things that makes you different is that you openly admit you've studied and learned from the masters and freely share with us who our masters are and who we should be listening to, if we didn't already know.... Sadly, some of us didn't.
You encouraged us to go back and listen and learn by sharing the adventures of the 'Soulquarians'. Didn't we all wanna be up in those sessions? Up in tha' house that Jimi Hendryx built, watching videos of Curtis and Sly, Bobby Womack, Al Green, Donny & Prince, smoking a joint, having a lil' taste of Jesus juice and then jamming for 'bout 8 or 9 hours straight.. You know what I'm sayin'?

Sometimes an artist comes along and makes everybody that isn't black want to be black so badly, if only for a time, just to have that real true black experience of our music , our culture, and being a part of something so soulful... so smoky... so earthy...and beautiful... that when that artist sings their song, black people everywhere look at everybody else with that knowing look in their eyes, their heads cocked to the side like 'we have a secret and the secret is, yeah...it's good to be us, you heard that song, you heard what he said, you seen the video, that's what we look like, that's what we do when we party, that represents us and we know you wanna be us!'

'Brown Sugar' is still one of those songs that if you hear it in the club or at a house party, when it starts with tha' 'ba-down ba-down'.. er'body in tha' room gets a crick in they neck (yeah I said 'they',) a hump in they back, arms go up in the air and asses gits up off tha' chair... 'uh uh uh uhhh, oooh wa oooh wa oooooh, clack' you put that song on and even the most unfunky, unsoulful mofo's in tha world become instantly cool as they get transported to the scene of Marvin Gayes 'I Want You' album cover or the 'Got 'Til It's Gone' video by Ms. Janet..

I've only run up to the front of the stage for 2 concerts in my ENtar life.. One was for Al green (there is a hilarious story that goes along with that ep) and yours.. I was at your show with my boyfriend and it was understood that even though HE bought the tickets and I was there with HIM, HE WOULD have to get over it 'cuase I WAS going up to the front of the stage and would kick another bitches ass (I'm usually very loving to my sisters) if she ain't (that's right I said ain't ) move over!

We've been hearing for a couple years now that there's an album in the works.. We hope to God that's true.. That would make my year for music!
Last week I was checking out the October edition of Vibe magazine with Chris Brown on it's cover. Lot of good stories in there but one that really caught me was the story on the rise and fall of the Debarge family, a most beloved first family of r&b music. It was a tragic story of fame and drugs followed by a fall from grace, & behind that, an extremely abusive father, a passive mother, lawsuits, prison, death AND underneath all of that...a most beautiful legacy of music that the survivors in the family struggle to keep alive. Don't be that D, please, we beg of you... don't ever be that..

Don't be that star who shined so brightly and then burned out too quickly leaving us all here with crushing memories of what you could have been, should have been... Black people live that reality all too often. Our Icons give us hope, someone to look up to, something to strive for.. Especially the musical ones because you give us a song to sing and to put in our hearts, a soundtrack to live our lives to...

*Note - Just heard.. Lauryn Hill posted new concert dates on her website & D'Angelo is planning his new release for the summer!! Awesome & inspiring..

(*note - reprinted from albrightmusic.com - feb 2008)

Dear Lauren & D..
I just gotta ask.....
Where are you?
Do you know we miss you?
Do you know we are all here waiting patiently for the 2 of you to return and grace us with your music?
Do you know how much you are loved, championed, and adored by the rest of us?

Lauren..
We've all heard the stories..
We know it's hard living your life out in the open for all the world to see and sometimes judge, but I promise you, the people that judge you are not your real fans or at least not your best fans.

We know you had unpleasant dramas with your former co-producers and writers but did you know... we don't care?
Do you know how many of us don't give a damn if you didn't write a fucking word on 'Miseducation' because the bottom line is NOBODY could sing those songs like you do?
And I'm not even saying you didn't write those songs, I'm just saying most of us don't care!
Because your voice, your presentation, YOU are such a magnificent talent, you could sing tha' damn phonebook and I'd still be first in line to buy it!

I still listen to 'Miseducation' and your 'MTV Unplugged' cd's today and I still love them every bit as much today as I did when I first heard them.
I remember the first time I heard 'Lost Ones', I was in a store in Greenwhich Village in New York.
I was in a fitting room trying on clothes, that song came on and I was like 'OH SHIT!' I came out of the fitting room and started dancing.. (I put my clothes back on 1st, haha)
When that song went off I walked right over to Tower Records to find out when the album would be released and if the single was available.
That was back in the day when you could still buy a cd single and if it wasn't out yet you'd wait patiently for the song to come on the radio.
I remember how people used to talk about 'Miseducation' being groundbreaking and innovative and fresh, and it was, it was all that and more. People were comparing it to Bob Marley and the Beatles.
Maybe there have been other personal dramas in your life, demons you've had to put to rest..
We all understand the need for private time and a personal life but PLEASE don't let whatever those issues are make you stay away from us forever. We need your thoughts, your ideas and your emotion, we need that voice. We need you..

(To be con't..)

To working musicians everywhere,
I have a teenage son who tells me his pirating music is no big deal. Since he is a musician himself, I point out to him that someday that’s going to be his money people are stealing. But he remains unphased.

He tells me the record sales make money for the record label, not the artist. He says that the artists make all their money from touring and live concerts. He thinks the pirated music promotes the concerts and therefore helps the artist make more money. I still don’t allow pirating in my house.

But tell me what you think - as artists out there having your work “shared,” are you just glad to have it being enjoyed, or does it bother you? Admittedly, he is stealing music that is recorded by major record labels, so maybe its different than the independent musician working for his living. But I’d still like to hear what you think.

Thanks,
Valerie
--------------

Dear Valerie,
My name is Vivian and my husband and I are both workimg musicians.
About 8 years ago when pirating seemed to really start to catching on, I used to be completly paranoid that someone would come to our house and drag my husband out by the scruff of his neck. He pirated music day and night..

At that time, people were getting fined and arrested for pirating, there was one kid that was sued by a record company for several thousands of dollars. Their point was to try to make an example out of the poor kid.
Of course my husband kept right on downloading music and never ended up in jail or fined.. (Yet, that is..)
Just because he didn't doesn't make it alright.

A couple of years ago now, my husband and I independently released our own cd, and of course, our music has also been pirated along with many other recordings I've done for and with various artists over the years. Ironically, this is a fact that my
husband has had a bit of a hard time dealing with, while I, on the other hand have come to accept this as a way of life.

While it's not exactly true that artists don't make $$ from record sales, it is true that most artists, especially newer artists, do make the bulk of their $$ from touring and performing but they also make a chunk of $$ from publishing which is also drying up due to lack of record sales which is a direct result of pirating. And obviously for independent artists like ourselves, we stand to lose a bigger percentage of $$ from pirating because we get to keep the biggest percentage of $$ from record sales. This is the way independent music stores are set up, to aid the independent musician.

The internet has irrevocably changed the face of music forever and in many ways, this change is absolutely for the better. The amount of opportunites available to independent musicians, to have our music heard and sold are infinite..
The amount of work that goes with these opportunities, might also be infinite. On the one hand the internet has opened many doors for me as an artist as well as a consumer, on the other hand the internet has made stealing intellectual properties relatively easy. What we have is a double edged sword.

Seriously though, when I think back on the stranglehold record companies have had on the music industry for the last 60 years or so, I'd say all in all, I absolutely prefer things the way they are now with this much more level playing field.

I don't now, nor have I ever believed that being an artist should be the crap shoot it has been. I've seen many a no talent individual reach super star status while so many truly gifted, inspired, and incredibly unique artists go unnoticed..
I've seen artist after artist be cheated, stolen from or treated horribly by their labels. I personally have been told by a few label execs that I need to copy the style of this or that artist if I ever wanted make it in this business or be signed to a label..
Depressing..

It's this shift in the music business that has, without a doubt, inspired me to want to make music again..
In this arena, I actually feel like I have the ability to find my own voice, my own audience and on my own terms, and though I'd like to be paid for my music, I'm happy to know that people are listening and interested, whether they pay for it or not.

Thank you for reading..
mama said music can change the world..

Hey babies, Vivian here with the first ep of ‘The Indie Star Adventures’..

So.. I got a little Tribe filtering through my NEW speakers. Yeah, I had to go out and get some new speakers today. The ones I had were really compact and lightweight which is perfect for travel but they had no bass.. Now you know you can’t be rocking Tribe without the low end, right? I was on a Biggie rampage last week, trying to eek some low end out of them damn speakers, I just couldn’t do it.
So, I guess I’m gon’ be that ghetto chick that always has too many bags ‘ cause I gots to have me a bottle of Red Devil hot sauce, my giant ass speakers, hair grease, flat iron, too many pair of shoes, the kitchen sink, whatev’s..

For real though, I forget sometimes just how much I love Tribe and Biggie and then I put them on and it’s like I discover this music all over again and I have to listen to every record. It’s like I just get in a zone.. but I had to give Q’s Renainssance a rest, I have played that ish to death. Is it just me, or is that the dopest record out right now, still?? If not, please tell me what is ‘cause I damn sho’ need another record to play.. (and please don't holla at me about nan a record that aint banging' from start to finish, k?)

Ok .. So, I have been getting scolded left and right about my lackadaisical blogging..
Kevin, my girl Kat, even my boy Will.. I know.. I’ve been terrible, but I’m gonna do better..
Promise.. I even got a new camcorder (do we still call them that?) and I’m gonna start a vlog in a few weeks.. Just let me get my i-movie skills together

And now, here’s the latest..
First up, the P!nk tour – is going fabulously well, and that might be an understatement. So far every show has been sold out.
Now, I don’t wanna’ give too much away , ‘cause I want you all to come out and see the show, because honestly? This is the baddest show I have ever seen, much less been fortunate enough to be a part of! And that is no lie, just straight truth. If you never were a P!nk fan before, you will absolutely be one after you see this show.. She puts all the other divas TO SHAME.

First of all, the costumes are by Bob Mackie (Carol Burnett, Cher, and what a gentleman) and they are really beautiful and show off P!nk's fierce ass body.
The music is stellar and has something for everyone. The entire band is showcased, and we kick major ass every night whilst P!nk sings her ass off.
The dancers are beautiful, every single one of them.. and so graceful and so talented.
The lights, the movie screens and stage design are nothing short of spectacular, seriously..

The thing I hear the most from people, folks I know and strangers alike, is ‘I have to see it again, there was so much to see, I just couldn’t choose one thing to look at’..
Plus, I’m out here with Jenny, so you know.. trouble ensues, hahahaha. I should probably be calling this blog ‘The Adventures of the Shopaholics’ (hahaha, someone did that already, didn’t they?) It was Jen’s birthday last month so I treated her to a pair of Choo’s. All of y’all better know what a Choo is (lol). I try to spoil her whenever I can, she is my idol!

Then again, we have our down days too. So far, everyone’s been sick with a cold or the stomach flu. In fact I was patting myself on the back that I managed to escape unscathed, only to succumb last nite to the worst stomach flu I’ve had in a long time. Boy I went down hard. Let me tell you, it is not fun to have to perform when all you want to do is hug the toilet
So there you have it, it's not all fun, games and glamour. All the travel can wear you down sometimes, but we have so much fun too and you couldn’t ask for a nicer or more fun group of people.

Moving right along.. The new LP – is shaping up nicely.. Now, this is probably going to be hilarious to some of you, but I can’t decide what genre I want to do next so in typical Sagittarian form, I’m doing 2 records.. (haha). I know, I’m crazy but some days I wake up and feel like ‘This is the direction I want to go in’, and then other days I wake up and feel like ‘No no no, THIS is the way to go..’ so now you know, I’m indecisive sometimes.. I’m even going so far as doing separate artwork and the whole nine. Hopefully, as I get closer to the release date I’ll have a clue but until then, I’m just reveling in the music.
Chris is out here with me, (twice so far) recording, writing, brainstorming and getting in some quiet time ;-)

Got a couple of photo shoots coming up, starting to get pics together for the artwork and what have you. Getting all my ducks in a row for the next release. There is a ton of stuff that has to happen to put a record out, even as an indie, and being the perfectionist that I am, that means double or triple the work for me, so you most definitely need an awesome team.

Coming up in the next few blogs I’ll talk a little bit about the team we’ve managed to put together so far, but in a nutshell;
-We have an excellent PR firm that did some spectacular work for us with the last record. Everywhere you saw us, they had a hand in it.
-Through our PR company, we met and had several meetings with a great marketing firm, so hopefully you’ll hear us on the radio with this next record.
-An amazing graphic artist that I found on Myspace whose work is stunning. He’ll be doing the artwork for the cd and revamping the website.
-Our attorney, who is an absolute Godsend and goes so far above and beyond what is usually asked of an attorney.
-We are signing on with a new internet PR company who comes highly recommended the folks over at CDBaby.

We have a few other key players who are signing on to assist in various ways, as well.
The only 2 missing, but very key pieces to this puzzle are a booking agent and/or a manager. Like most indie artists, these are the 2 most coveted, yet hardest to fill positions in an artists career. Honestly, as an independent artist, if you have one, (either a manager or a booking agent) and they are really good, you usually don’t need both. It would be great to find a good booking agent, but I feel like with all we’ve learned in the last 2 years, releasing and promoting our own music, we would do better to find a really good manager so my goal is to get someone on board before the year is out and hopefully, in time, for the release of the new record.

What are the things you want in a manager?
-Honesty has to be first, right? No brainer there.
-Ear to the ground, needs to know what’s happening.
-Needs to get me, I want someone to see me and be like ‘Yep, I get it!’ (Is that too much to ask?)
-HUNGRY/driven, that one is important, I think.. Lots of get up and go.
-Charming/people person, natural schmoozer (that’s a gift, not everyone can do it, I, for one cannot!).
-Has to have contacts and connections or know how to get them.
-Kind, if you have to talk to someone on a daily, that would be nice, plus I’m kind of the sensitive artist type.
-Patient/stick-to-itiveness ‘cause I’m also kind of stupid sometimes, (sad but true), also comes in handy when it comes to waiting for answers, waiting to get paid, etc.
-Killer instinct, ‘cause people always say that’s a good thing to have in a manager but I want it to be known that I would only appreciate that trait if it’s not directed at me, (I felt like Woody Allen writing that).
-Funny, (I just threw that one in). Maybe attentiveness would be better? Funny goes a long way sometimes, though..
-Fair, also very important and although you wouldn’t think it, it's not the same thing as honesty.

HEY! This almost sounds like a husband list! I already got one of those!
I wonder if I could convince Chris to manage me? I’m pretty sure he’d never go for it.
Then again, you know one of those people who does everything so damn good they can’t never get nothing done? I’m just sayin’. So that probably wouldn’t work no how.. (lol)

Anyhoo, be sure to stay tuned for the next episode of the ‘Indie Star Adventures’ to find out how the search goes..
And as always, drop us a line, anytime..
Peace & love,
Your girl
Viv

Btw, music can change the world..

I really have to stop letting so much time go by between updates but you know how it is, the Christmas tree, the presents, my birthday, yada yada..

So I haven’t spoken to you guys since our new president got elected!!
Is anybody going to DC for the Inauguration? Boy, I’m really thinking about it and trying to figure out how I can finagle my way in there. I’m talking tap dancing, singing for free, WHATEVER! Y’all feel me? Lol..

Seriously though, I cried, I laughed, I screamed and yelled!!
I called everybody I could and tried to feel the love in the states through family friends ‘cause I was overseas and was so bummed to be missing all the excitement!!
What an amazing time in history..

Anyhoo, Viv here with latest Albright news..

Gig Alert..
That’s right, we’re doing a show next Tuesday, December 23rd at 8pm (the day before Christmas Eve), AND it’ll be our last show.. EVER.. so come out and hang with us next Tuesday at The Bitter End and find out what all the fuss is about!

The Albright Farewell Christmas Show..
With very special guest ROGIERS, and hosted by K.Lamonte!

Tuesday, December 23rd, 2008
at The Bitter End - 8pm
147 Bleecker Street
(Bet'n LaGuardia & Thompson)
New York NY 10012
212.673.7030
Price: $12.00

Featuring:
Ainsley Taylor/drums
Sherrod Barnes/guitar
Bahnamous Bowie/keys
Mike Hammond/vox
Carlos Ricketts/vox
& of course Chris Parks on bass
and Vivian Sessoms on lead vocals..

It’s Official..
I’m hard at work on my next release, actually, I’m about a third of the way through and working on the artwork and what have you.. Can’t say when the release will be yet, ‘cause you know how these things go, everything’s fine ‘til you start trying to predict what’s going to happen and then nothing you say comes true, so I’ll just keep you guys posted but things are looking good.

AND..
Chris is working on his own release too! The only thing we do know, is that his release will probably be ready before mine ‘cause he's very close to being done.
It will probably be a digital release only with some remixes on vinyl (keeping it oldskool).. We’ll keep you posted on that as well.

Also..
Chris is either in or about to go into the studio with Finnish pop artist Janita, Twilite Tone (Common), U-God (Wu-Tang), Ra Re Valverde, Sherrod Barnes (Roberta Flack, Whitney Houston), and Jeff Kashiwa (jazz artist).. so he’s keeping extra busy.

And..
I’m back on the P!nk tour in March so if you see us coming thru your town, hit me up on Myspace or Facebook and gimme a holla.
Or sign up to our Twitter feed (www.twitter.com/viviansessoms) and follow my escapades on the P!nk tour..

There’s so much other exciting stuff stuff going on, lots of which is still in the works, but of course, as soon as it’s ready we’ll hit you guys with it first, just like we always do!

Just wanna’ take a minute to say an end of the year thank you to a few people who have been tremendously supportive to us this past year..

-Kevin Harewood of Edclectic Entertainment, who’s basically been acting as a silent manager to both Chris and myself in the last year, and always has a minute to listen or help analyze what we could and should be doing..
-Our tireless attorney Brett Green, who advises us so well and truly fights the good fight on our behalf..
-Our PR person Katrina Boswell at Katwalk Media, who talks about us to absolutely anyone who will listen..
-Tom Paul, the one man information network and audiophile, for his wonderful support and for always helping us to get the word out..
-My sister Jenny, whom I adore and who literally carries our cd’s around in her pocketbook and gives them to anyone she thinks will dig us..
-Joe Riley of Kitchen Sofa.Inc, who constantly advertises for us and shouts us out on his monthly blog - joelands 20 questions (which incidentally is funny as hell and is also chock full of great information, both useful and interesting.. check him out at www.kitchensofa.com)
-Kateria Niambi, who is both brilliant and a born PR person though she insists on wasting time doing everything but what she was born to do.. as a career, that is.. But is always there when we ask for or need her help..
-And to all of you.. for coming out, writing in, keeping up with us, and for supporting independent music.. we thank you!

This is going to be a crazy year in light of all the events that have taken place in the last few months with this economy, but let’s hold onto one another and remember to reach out when we can to whomever we can and remind each other to keep our heads and keep our faith in tact.
Remember, we’ve elected the right man for the job..

Thank you for listening..
Merry Christmas

Viv & Chris

The Albri​ght Farew​ell Chris​tmas Show.​.​
With very speci​al guest​,​ ROGIE​RS perfo​rming​ songs​ from his new release!​

Tuesd​ay,​ Decem​ber 23rd,​ 2008
The Bitte​r End
147 Bleec​ker Stree​t (​Bet'​n LaGuardia & Thomp​son)​
New York NY 10012​
(​212)​ 673-​7030
Price​:​ $12.00

Don'​t miss the last perfo​rmanc​e of Albri​ght as they celeb​rate the holidays,​ close​ out the 2008 & say goodb​ye.​.​


Featu​ring:
Ainsley Taylor/​drums​
Sherr​od Barne​s/​guita​r
Bahnamous Bowie/​keys
Mike Hammond/vox
Carlos Ricketts/vox
& of cours​e Chris​ Parks​ on bass
and Vivia​n Sesso​ms on lead vocal​s.​.​

I love you..
always,
your little girl..

Happy Birthday you two..
I love you.

Love, Music & Politics. .
Hey everybody..

Viv here with Albright updates..

So we're just getting warmed up on the P!nk promo tour! So far we've
hit the UK (where I reconnected with my boy Julian Velard),
Australia, Cananda, Germany, and Switzerland. We've done American
Idol in Australia and the MTV awards in both the US & Australia. .
This week the band will hit NY minus me though, as I am in Denmark doing shows with super talent and musical cohort Mads Baerentzen..
You might remember I did a short tour in Denmark with Mads last year around this time, and the year before, I was a guest on his cd 'The New York Project (http://cdbaby.com/cd/madsbaerentzen). We played to a packed house last night and the venue expects double the crowd tonight.. Not too shabby I dare say, but I do wonder where they'll put all the people ;-)

Anyways, just wanna' fill you guys in on all that's new with Albright. We've got 5 or 6 shows planned for December, two of which will be in NY. Since these will be two of our only shows in the Big Apple this year we're gonna' have a contest so you can win tickets and some very cool prizes but first, we're gonna' test your Albright knowledge so you might wanna' poke around the site a little and hone in on your Chris & Viv factoids. We'll keep you posted on the contest. Honestly, I can't wait to come home and do a live show.. I miss you guys.

In other news.. we had a song placed in a movie a while back. It took some time but the movie is finally set to be released this fall.. It's called Moonlight Serenade and features a song we wrote and produced for jazz artist Khani Cole. The song is called 'Things You Do', and you can find the track on Khani Cole's album, Lifetime (itunes, Amazon). The movie features jazz organist Joey Defrancesco in the
lead role and is about a composer who, after having writers block
comes up with a melody for a love song and ours is the song he
composes. The song actually winds up being used as a musical theme
throughout the film. We owe a big thanks to Mike Florio, Joey
Defrancesco and Khani Cole for making this happen. Stop by Khani's
site for a visit and say hi.. (http://www.khanicole.com)

Next up, Albright in AMC movie theatres across the US.. So many of
you have written to say you saw or heard us while you were at the
movies these past few months.. Well, we'll be back in theatres
starting in November but this time we'll be in 10,000 theatres across
the US featuring a new song from our album called 'Dunno What'. Look
for us and be sure to drop us a line if you hear our song, that's how
we know where we're playing and who's listening..

Moving right along.. Your girl Viv is in the movies!! Yep, little ole' me.. But if you blink you will definitely miss me so, you know... don't blink, or move or anything! Hahaha.. I wrote about this a few weeks back but the release date is near so check me out in Cadillac Records this December, starring Beyonce Knowles, Alicia Keys, Gabrielle Union, Jeffrey Wright, Mos Def (loves him!), Cedric the Entertainer & Adrian Brody. The part is really tiny but hey, I'm in excellent company. I think I kind of like this acting thing, lol.

Also in the works, a solo record from Chris P, which if you know
Chris will be some outerspaceness for ya! He describes it as hip hop
meets electronica meets fusion, so.... um.. you know, you'll just
have to wait to hear what that combination equals but I can guarantee ya', it'll be a stone gas! In addition to his solo project, Chris is
working with DJ and hip hop producer Twilite Tone (Common), and fixin' to mix U-God of Wu Tangs next disc. He's working on a track
with producer Robin Danar, who produced a great album last year
called Altered State and is also recording with Finish soul/pop
artist Janita. I don't know how he keeps it all straight but go on
Chris, go 'head, git' down!

Last but not least, Albright has 2 new homes on the net.. the first
one, Twitter (http://twitter.com/viviansessoms) is a cool place where you can subscribe to our feed and get up to the minute Albright blurbs about where we are, what's new and how the new record is coming (did I say that? 4 songs in.. shhhh ...) You'll definitely wanna' follow along over the next few months, there are lots of changes happening as we prepare to take over the world!

And don't forget our other new home is on Facebook
(http://www.facebook.com/pages/ALBRIGHT-feat-Vivian-Sessoms/29486263741). I have to admit, at first I didn't know what all the fuss was about. It's just another myspace or so I thought, but noooo ... it's so much more and I'm really digging it, hopefully you will too, so stop on byyy, you know you're welcome ;-)

Well I think that' s about all the news fit to print, I guess we'll
see you on the other side of the election, fingers crossed, prayers
sent up.. Everything's in motion now.. Darlings, please don't forget
to vote! I voted early for the first time in my life this week. Still
time to make a last minute donation
(http://my.barackobama.com/page/outreach/view/main/viv).

Remember, music, art, film, books or anyone with a voice or a pen can
change the world.

Thank you for your love & support

Albright aka
Viv & Chris

Albri​ght'​s got a new faceb​ook page.​.​
to check​ us out click​ the link below​
peace​ & love

Albright on Facebook

Hello, hello, hello beautiful people!
Vivian of Albright here..
It's been such a long time, I know, and for that I am truly sorry. To make up for it I have lots of news which should bring you all up to speed..

LATEST TOUR INFO - First off, I just finished up an incredible tour with the legendary Joe Cocker who co-headlined with the Steve Miller band.
It was a truly amazing experience watching Joe every night, just thrilling, especially when we played Woodstock.
The town of Woodstock just opened up an interactive museum in which Joe features prominently.
The museum had video clips and interviews of people who were at the original Woodstock, clips of the performances, original posters, news paper articles and reviews. Still, the highlight of the entire tour was hearing Joe sing ‘By With A Little Help From My Friends’ every night.

In between the Joe Cocker tour, I managed to squeeze in a few gigs with jazz trumpeter Chris Botti as well as Patti Labelle on the CBS early show, who looked and sounded absolutely flawless at 5 am in the morning!

Chris has picked up the acoustic bass and been backing Deborah Cox since the spring, who by the way, is as lovely in person as you can imagine.
I went straight from Joe Cocker back to rehearse with P!nk who is gearing up to release her new cd this fall, so if you see us in your town be sure to come check us out!

LATEST ‘SUNNY ONE DAY’ INFO - In other news, Sunny One Day is now being distributed by Select-O-Hits here in the states, thanks to our friend and marketing person Kevin Harewood of Edclectic Entertainment. We’re also being distributed in Japan by P-Vine Records so hopefully you should be able to find us in bigger stores over the next few months, if not, just ask for the cd and the store will order it. Stay tuned for details on distribution in the UK!
Lastly, check out new reviews up in the press section of our website and a brand new interview with Tom Paul over at our favorite internet hangout, SOUL TRACKS..
http://www.soultracks.com/story-tp-albright
ALBRIGHT ON THE RADIO! - We just got a lot of station adds across the country. If you want to know where, go to the news section of our site where I will post a list of stations playing us in a bit.
You can also hear us in AMC Movie Theatres and Subway Sandwich Shops where our second single ‘In Between Worlds’ is being played, along with a short bio on Albright.

LATEST SHOW INFO - We have shows in the works in LA, Mass, Tenn and DC and we’re planning a live taping for a dvd release next year. Got a lot of good stuff planned in upcoming months and we’ll keep you posted on all the details but for now, BE SURE TO CHECK ALBRIGHT OUT THIS SATURDAY along with SHAE FIOL & REEL PEOPLE at:
Nu Soul Saturday’s/Frank’s Lounge
Time - 9pm
Cover - $10.00
660 Fulton St, Bklyn NY, 12217
(718) 625-9339

Hope To See You There!!
‘Til then take care, thanks for listening and DON’T FORGET TO VOTE!!
http://my.barackobama.com/page/outreach/view/main/viv

NOW FOR A LIMITED TIME ONLY!

Get your copy of 'Sunny One Day' for just $6.99!!

That's right, for JUST $6.99 you can get 'Sunny One Day' as part of an experimental promotion which we'd like you to be a part of..

Dear friends & family..

It's not often in one's lifetime that we get to witness a political
campaign that inspires, that empowers, that has been inclusive of so many, as the one we are witnessing now. Perhaps that's because it's rare that a candidate comes along that we as a people feel we can believe in wholeheartedly. A candidate that we believe will do exactly as he says, says exactly what he means, and whose intellect, compassion and sincerity resonate with so many of us.

Though I know there have been many, in my lifetime, I have only seen two such candidates. I watched when Jimmy Carter came into office and even though I wasn't old enough to vote or to even fully understand the true merit of a President like Jimmy Carter, I understood through numerous family discussions and their subsequent reaction to his
winning that it was an important time in the world.
I only began to understand much later the kinds of changes that Jimmy Carter was able to implement in this country economically, environmentally and diplomatically.

Later on, I came of voting age during Bill Clinton's campaign and was so thrilled to be able to vote for a candidate that I actually
believed in! One who's brilliance, generosity of spirit and love for
the people of this country was palpable and heartwarming. What's
striking about this to me now, is that I had already become jaded
enough to be prepared not to believe in any candidate.

After President Clinton's departure from office, I am saddened to say
that I personally became so disinterested, then disgusted with, and finally, completely without hope in the democratic process. In the last 8 years I have witnessed things within the current
administration that have made me feel angry, ashamed, disheartened
and incredulous. More importantly, I'd begun to feel disenfranchised
enough to wonder if perhaps my vote didn't even matter.

And then out of nowhere came a breath of fresh air.. a ray of light..
a sliver of hope.. and his name was Barack Obama..

After witnessing atrocities like 9/11, the aftermath of Katrina and
the Iraqi war, I think we can all understand what it means to begin
to have a sense of hope again.
I, like so many of you, have found Barack to be a voice of reason, a
voice that has reminded us that the political process IS OURS to
shape as we will. A voice that has encouraged and inspired me to
remember that my vote is important, that I CAN make a difference and that we can stop this madness that the Republican party has unleashed on each and everyone of us!

Now, once again I have the feeling of important changes taking place
within our nation and of being a part of something bigger. I have
that feeling of bearing witness to that rarest of things.. a campaign
headed by a candidate who not only restores my faith in the political process, but who makes me feel as though HE believes in AND understands the power of that process. A process, he reminds us, that each of us has the right to be a part of. Here, at last, is a
candidate who makes me want to get up, go out and find others who
will join me in making our overwhelming need for change a reality.

Barack Obama has proven he is committed to changing the political
process by building a campaign founded on a broad base of support
from ordinary Americans like ourselves. For Barack this campaign is NOT about winning the "prize" (as stated by Senator McCain), but
instead about putting the people's interests ahead of the special
interests, and to do that, Barack needs help from people like us.

In light of all this, I decided I needed to do something, to get
involved somehow, so I've started a fund raising page on the Barack
Obama website. I've set my own personal fund raising goal for the
campaign, which you will see when you visit the page. Will you click
the thermometer to make a donation and help us reach our goal?

I have no doubt that many of you have more than likely already
contributed to the Obama campaign, but if you haven't or even if you have, let us put our money where our mouths are and not just watch this historical time in politics but be an active part of it as well.

If we want to see change, why not let that change start with us..

Please give what you can. Go to:
http://my.barackobama.com/page/outreach/view/main/viv
Thank you for listening,

Vivian Sessoms
for Barack Obama

Hey gang,
Long time no speak!
Hope you all are enjoying the summer so far,
or at least keeping cool in this heat.

Just a couple news flashes..
First, be sure to catch Vivian, Jenny Douglas McRae and Keith Fluitt backing up the incomparable Patti Labelle on the CBS Morning show this Thursday, June 12th. Check your guide for the time..

On Friday night catch Vivian & Chris up at Billie's Black in Harlem
doing a tribute to his purple badness, Prince.
We will also be ringing the champagne glasses for our boy (and
beloved bass player) Carlos Henderson, and we gon' PARTY LIKE IT'S
1999!!
Don't miss it!

Friday, June 13th
Billie's Black
271 West 119th Street
(Bet'n Fredrick Douglass & St. Nicholas Blvd.)
7:30 pm
$5.00 cover (per set)
$15.00 minimum at tables (Great Food!)

Then catch Vivian back on the summer tour with the legendary JOE COCKER, check your Timeout listings for ticket info.

Last but not least, check us out in the spring issue of UPTOWN MAGAZINE..

Have a great summer everybody, see you in the fall..
Viv & Chris

The TRUMUSIC Series is proud to present the fabulous
Miss Rosalyn McClore performing tonite at:

Rockwood Music Hall - 6pm
196 Allen Street (Bet'n Houston & Stanton)
NY NY, 10002
(No Cover)
Wednesday, May 21st

Born in Memphis, Tennessee , Rosalyn grew up playing gospel music in
church every Sunday starting at the age of 13. Formal instruction
began at age seven, "My parents were constantly seeking out more
challenging learning environments for me." By the time Rosalyn
reached Memphis State University, she had discovered a deep love for
jazz. In addition to studying with a classical instructor as well as
a jazz instructor, Rosalyn studied privately with the great jazz
pianists, Phinneaus Newborne Jr, and Mulgrew Miller. "It was then
that I started listening to Ella Fitzgerald, Sarah Vaughn, and Nancy
Wilson". This is where Rosalyn developed a love for cabaret style
singing and performing.

Since moving to NY Rosalyn has performed for Sting, Micheal Jordan,
Martha Stewart, the Kennedy family, and Ron Perelman. In addition she
has also performed at Helen's Hideaway Lounge and other major venues
in NY where she has received stellar reviews.

John Hoglund of Backstage Magazine has said "After spotting exciting
newcomer Rosalyn McClore at this years' Cabaret Convention, I felt
compelled to see more. From her two numbers on stage at Lincoln
Center, it was obvious she knew her way around a hot keyboard and a
song. Her show, featuring the songs of Stephen Sondheim and Nina
Simone and backed by a three-piece band, proved a serious step
towards gaining recognition. She is sassy, dramatic, sensual, and
fully committed to her material. And not only can she sing well, she
can interpret with style and bring new meaning to familiar tunes.
- Nov 2005

You don't wanna miss this show..
See you there.